All too often, the phrase "corporate free press" is something of an oxymoron. Whether to maximise sales, to attract advertisers, or simply to promote the interests of their wealthy owners, the mass media open strange, self-serving and grossly distorted windows onto the world.
This website is another window. Here you'll find documentaries, lectures and interviews following a different editorial line.
A bizarre but compelling examination of humour in the Third Reich (58 mins). At first this was tolerated, and even encouraged – back then, no-one took the Nazis too seriously, and the more people were snickering the less they were rising up – but as the war drew on jokes became a channel for subversive informationand dissent, and by the end laughter out of turn was cracked down upon severely.
Most of us have no direct experience of war. Most of what we do know of war comes from films, and overwhelmingly American films. Tonight we bring you not one, but two documentaries, via Michael Greenwell, that show how Hollywood’s portrayal of war is influenced by the American military.
Released just as Tony Blair was leaving office, this film documents his ten-year war against civil liberties, begun as a way of protecting businesses from ‘harrassment’ but dramatically escalated as part of The War Against Terror.
I had a few things lined up to go with this film, but decided they detracted from the seriousness of the issue. However, the soundtrack is ace, and that last song deserves reposting in its entirety without being talked over. So here, for your listening pleasure, is Jarvis with Running The World.
You’re a journalist in Iraq. You have two choices: court near-certain death on the streets, or stay in custody of the all-powerful occupying forces. In this hardhitting documentary (49 mins), Jon Snow shows how this dilemma, combined with the natural squeamishness of television news, keeps us from ever appreciating the horrors of occupied Iraq.